FLUX Ircam Verb V3

Room Acoustics and Reverberation
An algorithmic room acoustics and reverberation processor built in a modular way, with a recursive filtering based reverberation engine that reproduces and synthesizes the specific acoustic characteristics of sound environments.

Developed using technology based on more than a decade of research by the Acoustic and Cognitive Spaces Team at IRCAM, it introduces state of the art techniques for room acoustics simulation.
These include advanced perceptive models allowing an intuitive and accommodating user experience full of capabilities.

The IRCAM Verb with it’s eight input and output channels give you the option to accomplish reverberation processing in multichannel/surround. Its built-in Input/Output routing matrix is provided in Verb V3, allowing the user to set up the Input/Output arrangement best suited for the physical monitoring setup in the control room.

Features

• Up to 10 channels Input/Output with support for Dolby Atmos®
• Pro Tools HD 7.1.2 & 7.0.2 Dolby Atmos® Bus Support
• Channel Routing Matrix for routing the I/O channels depending on the actual control room monitor setup (for surround/multichannel use).
• Input/Output Gain (-/+ 12 dB)
• Dry/Wet control
• True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
• Graphical representation of Early, Cluster and Reverb. Room Size.
• High density setting
• Decay Time controls
• High/Mid/Low frequencies explicitly.
• A set of 3-band filters applied to each part of the time structure
• Creative Perceptual Reverb Options parameters;
• Infinite (“deep-freezing” the reverb)
• Air Absorption/Roll Freq. simulates the frequency dependent air absorption.
• Modal Density, the frequency “smoothness” of the reverb engine
• Panning, virtual source panning-direction offset
• Width, panning width
• Diffuseness, the directional information of the reverberation.
• Open Sound Control Support

Features

• Up to 10 channels Input/Output with support for Dolby Atmos
• Pro Tools HD 7.1.2 & 7.0.2 Dolby Atmos Bus Support
• Channel Routing Matrix for routing the I/O channels depending on the actual control room monitor setup (for surround/multichannel use).
• Input/Output Gain (-/ 12 dB) for adjusting the levels before and after processing.
• Dry/Wet control for blending the original signal with the processed signal.
• True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
• Graphical representation of Early, Cluster and Reverb. Room Size.
• High density setting for selecting standard/high density reverberation engine.
• Decay Time controls for adjusting the decay time as well as the relative decay time of the
• High/Mid/Low frequencies explicitly.
• A set of 3-band filters applied to each part of the time structure for fine tuning the reverberation characteristics.
• Creative Perceptual Reverb Options parameters;
• Infinite (“deep-freezing” the reverb)
• Air Absorption/Roll Freq. simulates the frequency dependent air absorption.
• Modal Density, the frequency “smoothness” of the reverb engine
• Panning, virtual source panning-direction offset
• Width, panning width
• Diffuseness, the directional information of the reverberation.
• Open Sound Control Support

General Reverb Controls and Display
Graphical representation of the Early, Cluster and Reverb with controls for High density (standard/high density reverberation engine), Early, Cluster and Reverb On/Solo controls, and Room Size, Reverb Start and Reverb Gain controls.

Reverb Options
Creative reverb options including; Infinite (“deep-freezing” the reverb). Air Absorption/Roll Freq. simulates the frequency dependent air absorption. Modal Density, the frequency “smoothness” of the Verb engine. Panning, virtual source panning-direction offset. Width, panning width. Diffuseness, the directional information of the reverberation.

Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automationarly (Time Structure)
Early Time Structure controls, with Early shape controlling the amplitude rise or fall of early reflections, Early Min controlling the time at which the early reflections start to appear, Early Max controlling the time at which the early reflections cease to appear and Early Distribution controlling the way early reflections are scattered in time.

Cluster (Time Structure)
Cluster Time Structure controls, with Cluster Min controlling the time at which the Cluster start to appear, Cluster Max controlling the time at which the Cluster cease to appear and Cluster Distribution controlling the way the Cluster is scattered in time.